Thomas Adès’ “Inferno,” the first half of what will eventually be a full-length Dante ballet, makes an uproarious heaven of hell. An equal-opportunity score, it offers wry reasons for celebrating our vices — be we among the selfish, gluttonous, suicidal, deviant, papally pretentious; be we illicit...
from latimes.com - Los Angeles Times http://www.latimes.com/entertainment/arts/la-et-cm-ades-mcgregor-laphil-review-20190714-story.html>
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